Photo · Video · Drone — Dubai, UAE
Photo, video,
content… first.
A production house in Dubai with its own aerial unit. Ground crew, drones and a broadcast-grade streaming setup — one team, from the idea to the final cut.
Trusted on set
Crews and cameras for the people who can’t afford a retake.
Selected work
Every one of these plays right here.
COP28 brought more than 80,000 people through Expo City Dubai across two weeks — the largest UN climate summit ever held. We were on the ground filming it.
Lighting design work at Privilige, shot around the rig rather than around the room.
FPV and aerial coverage of GQ’s awards night at Dubai Opera, for ITP Media.
Ground and aerial camera crew for an episode shot across Emirates Golf Club.
Luxury real estate promo. Talent sourcing, shoot and edit — all in-house.
A second edit from the same summit, cut for a different audience and platform.
Partner highlight film for UK-based Unifrog — multiple interviews and supporting B-roll, shot at Dubai American Academy.
Aerial unit
Most production houses hire the drone in. We are the drone crew.
The skies are our playground, and we love to play.
Our aerial team has over 25 years of combined experience, and our lead pilot has flown for Hollywood and Bollywood features as well as broadcast. That means the aerial plates match the ground footage, the permits are already in hand, and nobody is learning on your shoot day.
- DJI Inspire 3 with Zenmuse X9 — 8K, strong in low light
- Inspire 2 with Zenmuse X7 — 14 stops, 6K CinemaDNG, 5.2K ProRes
- Custom caged indoor FPV for fly-throughs of malls, hotels and restaurants
- Outdoor FPV at up to 120kph for fast action
- Permits across Dubai, Abu Dhabi, Sharjah, Fujairah and Ras Al Khaimah
Live streaming
Single camera to full multi-cam gallery.
We’ve put live news on air for CNBC, NBC, Sky News and the BBC.
Multiple studios can run in the same venue, each streaming to its own destination. Everything is recorded in camera, so an edit can be cut and shared on site the same day.
- Sony full-frame cameras and lighting, run over SDI
- Racks engineer and full camera control for main plenaries
- Broadcast-grade microphones — audio treated as a first-class deliverable
- Drone feed over HDMI straight to production monitors for live director feedback
- Social documentary cut-downs for weeks after the doors close
How a project runs
Four steps, in this order, every time.
We learn your audience
Who you’re talking to, and the message you actually want landed. Everything downstream depends on this.
A slate, not a one-off
We map the month’s content or the shape of the film — and start any permits, because they need three weeks.
Crew, kit, direction
Film makers and script writers on the day. Need a piece to camera? A professional acting coach preps your speaker in person.
Cut, graded, captioned
Captions, on-trend music and colour correction. Event work can land the same day.
Next step
Let’s grab a coffee.
Tell us what you’re trying to say and who needs to hear it. We’ll come back with a plan and a number.